Here is a text from the Ohr-O'Keefe Museum of Art web pages (www.georgeohr.org
"How was it possible that George Ohr (1857-1918) the self-proclaimed “Mad Potter of Biloxi” created a body of ceramic work which defied the aesthetic conventions of 19th century America. Ohr is considered an early leader in the modernist movement and it is his creative spirit which informs the mission of the Ohr-O’Keefe Museum. His extraordinary cultural legacy is recognized for its power and integrity and for its important influence on 20th and 21st century art. Ohr’s work was rediscovered in the 1960s and is admired by artists and collectors alike.
In May 2009, the Metropolitan Museum of Art in New York celebrated the opening of the Robert Ellison Art Pottery Collection on the Mezzanine Balcony of the New American Wing prominently featuring selected works by George Ohr. As Ohr had often predicted, his genius was at long last recognized by the world. Over ninety years after Ohr’s death, it is a fitting tribute to the artist that one of the 21st century’s most admired architects, Frank Gehry, created the Museum’s award winning design."
The walls of the displayed object are impossibly thin. The way the rim has been folded defies comprehension. Ohr's "mud babies" are mind boggling both in execution and in artistic value.